Output Tube Biasing, An Introduction

(Part 1)

By Steve Graham

Big tube amps like the one pictured above can be a bit intimidating, even to yours truly.

First a disclaimer:  I’m not an electrical engineer, but I do have several decades experience poking around in tube amps.

This will be a basic introduction for beginners.  I’ll also supply links for those who wish to do more reading.  More experienced tube-o-philes will no doubt notice that I’ve glossed over some details and made some generalizations, but I think they’ll agree that I’ve adhered to the essentials.

The inspiration for this article came from WoS follower Mike, who had a few questions regarding bias settings on his Onix SP-3 integrated amp.  Mike’s questions led me to believe that there is a need to expand on the brief description that I gave in my Elekit TU-8340VK review.  (scroll down toBias? I’m Not Biased’ for my brief description)

I also touched on bias in my power tube shootout.  (link)

There will be a little optional math involved, if you wish, but don’t worry, it’s simple math.  If you’re like me, you hate it when someone says it’s simple, gives a formula, and then leaves you to figure it out.  My preferred way of learning is to get an answer that I can work backwards and forwards a few times to verify I’ve understood the formula correctly.  I’ll provide an example so you can try it out for yourself.

We’ll also have a look at a circuit diagram.  Try not to zone out; I’ll endeavour to make it as clear as I can.


Bias, a Definition

Bias in an amplifier is an electrical parameter that sets the optimum operating conditions for the components, in this case the output tubes.  Not all that clear, huh?  The example I gave in an earlier article (link above) is that of setting the idle speed of a car engine.  A typical car engine idles between about 600 and 800 RPM.  Why not set it at 100 RPM and save gas?  Because the engine will stall.  We could set it at the engine red line, say 6,000 RPM, so we’ll always have lots of power instantly available but this will burn a lot of gas and the engine won’t last very long.  Tubes are much the same.  If the bias is set too low the sound will be distorted, but the tubes will last a long time.  If we set the bias so the tubes are at their upper limit, the sound quality might be lovely, but the tubes won’t last very long.  A typical bias setting is a reasonable compromise between good sound and acceptable tube life.

The idle speed on modern vehicles is set by the engine computer controlling the fuel injection.  Back in the old days of carburetors, a screwdriver was used to set the idle speed.  Coincidently, a screw driver is often used to set the bias on a fixed bias amplifier.  An amp like the Elekit TU-8340VK is also a fixed bias design but a microprocessor reads some voltages and adjusts other voltages to set the bias.  If you have an amp like this, you can give your screw driver and multimeter an early retirement.

Don’t get bent out of shape about the terminology, I know it doesn’t make sense at first but we’ll deal with that next.


Fixed Bias = Adjustable Bias

No joke.  I know, this doesn’t make sense.  Fixed bias really means that the bias is ‘fixed’ to a nominal point for optimum performance of the amplifier.  In order to ‘fix’ it to an optimum point, it must be adjustable to account for production variations between tubes.  It’s also advantageous since maintaining that ‘fixed’ point is possible as tubes age.

Note the variable resistors in the pictures below.  These are adjusted while monitoring a voltage, to set the bias.




The circuit board in the picture below has the ideal voltage setting stated right next to the test points for meter probes.  The owner’s manual is the other common source for the voltage set point.  The voltages being measured are usually not more than 2 volts and are not dangerous.  There are other voltages nearby in the 300 to 500 volt range that ARE dangerous.

If you are not sure, get an old tube hand to show you how to do it before attempting it yourself.  Some amps, like the one shown below, don’t require removing a cover, so the adjustments can be performed without exposing the user to dangerous voltages.


Be sure to let the amp warm up for 10 to 15 minutes before setting the bias so that the components have a chance to stabilize.  Music should NOT be playing when you make bias adjustments, but you may listen as the amp is warming up.

Set the meter to measure DC voltage, and insert or attach the meter probe to the test points as shown below.

Carefully adjust the trimmer potentiometer for each tube to set the specified voltage as shown above.  Repeat for the other tube(s) in the amp, and you’re done.

Please note that in the picture above, a special insulated adjuster is used.  If one of these is not supplied with your amp it’s a good idea to get one, they are only a couple of bucks.  If you drop a standard steel screw driver in to a live tube amp, you might get an introductory lesson in arc welding.

With a new amp, or when installing a new set of tubes in an amp, it’s a good idea to check the bias every week or so for the first month.  Tube characteristics will likely drift a bit during break-in, and a quick adjustment of bias will nudge them back to the specified point.  If you are replacing a worn out set of tubes, dial the bias back on the old set before you put the new ones in.  This will allow you to start at a low bias setting and work up gradually.  Starting with a bias that is too high can stress your tubes, and consequently stress you as well.

After that, check the bias every month or so, and adjust if necessary.  The best time to re-check the bias is at the end of a listening session, before the amp is turned off.  At some point, you won’t be able to adjust the bias to the specified setting.  This is a signal that a tube is nearing the end of its useful life and should be replaced.  If this is a stereo amp and the other power tube(s) were installed at the same time, chances are they will (all) need replacement soon.

A fixed bias push-pull amp has two advantages over a similar amp without bias adjustment.  The first, mentioned earlier, is the opportunity to adjust the tubes for the best compromise between sound quality and longevity.  The second is that distortion is minimised when both tubes (in the push-pull pair) are adjusted for identical current draw.

One of the cold hard facts of tube amps is that tubes can be a little flaky.  If a new tube fails it will likely fail within the first 5 or 10 hours of use.  It might cost a bit more, but buying tubes from a reputable vendor in matched sets can save money in the long run.  A conscientious tube vendor will group and record a set of tubes characteristics.  If, for instance, one of the tubes goes bad a month or so after purchase and installation, it’s relatively easy to get an identical replacement.  See picture below for an example.  Please note, I didn’t have a KT77 go bad.  I’m just using this as an example of a vendor that puts in a little extra effort for the benefit of his customers.

Setting the bias voltage to the nominal value and setting all tubes identically is all you need to know to optimise the performance of your amp.  I’ve avoided theory up to this point, but if you want to know the reasoning and math behind these adjustments, please continue.  I’ll also cover power dissipation for those of you wishing to know about this subject as well.



Calculating Bias Current and Power Dissipation

The schematic above shows the tube of a typical output stage.  In this case it’s one half of a push-pull amplifier where another tube is essentially mirrored below this one, but for simplicity I haven’t shown it.

The tube is a pentode (5 elements, not including the filament).  The 5 elements are the cathode (K), grids (G1, G2 & G3), and the anode (A).  Old timers like me usually refer to the anode as the ‘plate’.  I won’t get in to the theory of the electron flow within the tube, but if you are interested some links for further reading are provided at the end of this article.  Though not shown, the anode and grid 2 are connected to the output transformer in what’s commonly referred to as an ‘ultralinear’ configuration.  The output transformer is also connected to the high voltage supply usually referred to as the B+.  In a typical hifi tube amp, the B+ is usually in the range of 350 to 500 volts!

The voltage you will be measuring across cathode resistor (R) is usually no more than 2 volts.

As you adjust the bias potentiometer (‘bias pot’ for short), shown on the left side in the schematic above, you are imposing a DC voltage on G1.  This voltage controls the current flow through the tube.  The current flow is manifested as a voltage across resistor R.  The voltage across R will vary in relation to the current flow through the tube.  A higher voltage across R equals more current flowing through the tube.

To determine the current flow through the tube we need to know two things, then do a little easy math.  Once we know this, and find out one more piece of information, we can calculate the power dissipated by the tube.

We need to know the value of resistor R.  This will be anywhere between about 0.1 and 30 ohms.  The value can be found on the schematic for your amp, if one is provided.  Internet forums are another source of schematic help, and if all else fails you could possibly read the resistor value from the colour code on the one in your amp, or measure it with a multimeter.

If you are not sure about what you are doing, seek advice.  If you plan to nose around under your amps’ covers, the least you should do is unplug your amp and let it sit overnight.  This will give the power supply capacitors time to discharge their potentially lethal voltages.

For the example schematic shown above, let’s say R is 5 ohms.  And let’s say the voltage we are to aim for when we adjust the bias pot is 0.30 volts, measured across R.

To calculate the current flow through R (and through the tube as well), we use Ohms law:

E = I x R  where E=voltage (in volts), I=current (in amps) and R=resistance (in ohms).

So: I = E / R or 0.30 ÷ 5 = 0.06 amps (or 60 milliamps).

This information on its own doesn’t mean too much, so we must continue if we are to calculate the power dissipated by the tube to see if it falls within safe limits or if we wish to, crank it up (or down) a bit.



Calculating Power Dissipation

We need one more piece of information to calculate the power dissipated by the tube.  This is the voltage measured across points K and A on the tube in the schematic.  If you are not comfortable measuring this voltage, it will be several hundred volts, don’t do it.  Get someone who knows their way around a live tube amp to help.  If that’s not possible, use the nominal B+ value from the schematic, that will get you close enough.

To calculate the power dissipated through the tube, use the following formula:

P = E x I  where P=power (in watts), E=voltage (in volts) and I=current (in amps).

So: E (B+, either measured or from the schematic) x I (from the previous calculation).

For the example, assuming that the B+ is 350 volts then: 350 x 0.06 = 21 watts.

In the example above, the tube is an Electro-Harmonix EL34.  The tube data is available on the New Sensor website.

Below is a copy of the pertinent information we’ll need.  The values stated are the maximum permissible.  Typical voltages, currents and powers (dissipation) in actual amps are significantly less.

As far as our example goes, the plate voltage (1) 350 volts is fine because the max is 800.  Cathode current (2) at 60 mA (milliamps) is fine as well.  Screen (grid 2) voltage (shown between 3 and 4) is well above our B+ (350 volts) so we are within the allowed limits there too.  For maximum power dissipation, we can add 3 and 4 together for a total of 32.5 watts.

This is where my analogy to setting the idle speed on a car engine breaks down a bit.  The idle speed on an automotive engine is maybe 10% of the maximum revs.  Nominal bias on output tubes is typically set to yield a power draw of approximately 70% of the maximum permissible.

70% of 32.5 watts is 22.75 watts so our example that dissipates 21 watts (65%) is a little low.  If this was a real amplifier, cranking it up another 1.75 watts would not likely be a problem.  To figure out the bias voltage setting for 22.75 watts dissipation, just work the two formulas backwards to arrive at 0.325 volts.

I’m sure the question forming in your mind is, “What if I run through the calculations and my amp is running the tubes at 55% dissipation, can I crank it up to 70%?”  The answer in a perfect world would be yes, go right ahead.  However, there are practicalities to be considered that might not make that possible.  If we use the example above but assume that the amp manufacturer recommends 55% dissipation (17.9 watts per tube), we have a bias setting of 0.26 volts but more importantly the current flowing through each tube is 51 milliamps.  Assuming a push-pull stereo amp with four tubes, that’s a current draw of 204 milliamps (51 x 4).  If this is what the amp maker has recommended then cranking up the dissipation to 70% (65 milliamps per tube, 260 mA total) increases current draw by 27.5%.  If the power transformer and/or the output transformers are marginally specified, a 27.5% increase might be too big an ask.  I’m not saying amp manufacturers as a rule marginally specify their transformers, but some might.  So my advice, in this case, would be don’t chance it unless you think a fireworks display in your listening room would be fun.  As a rule of thumb I wouldn’t change the bias by more than 5% or so from the specified value without first receiving approval from the amp’s manufacturer.


Next Time

In the concluding part of this series I’ll discuss the other common type of bias (cathode bias) and talk about tube substitution considerations as well.  If you have any questions, send them in now, and I’ll try to address them in part 2.  I apologise in advance if I’m not able to answer specific amplifier questions or make recommendations.  Unfortunately there are many more amps out there that I haven’t heard than ones that I have heard.



Enjoy The Music.com Vacuum Tube Tutorial http://www.enjoythemusic.com/diy/0713/vacuum_tubes.htm

Aiken Amplification index to white papers     http://www.aikenamps.com/index.php/white-papers

DIY Audio Tube Forum  http://www.diyaudio.com/forums/tubes-valves/


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